spinster . writing . web-specific art. het world wide web als artistiek medium |
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Inleiding Hoofdstuk 1 A. Internet B. World Wide Web
Hoofdstuk 2 A. Mediatheorie B. Postmodernisme C. Digitale esthetica Hoofdstuk 3 A. Virtuele galerijen B. "Real life" instituten C. Autonome initiatieven D. Wedstrijden E. Net.art F. Conclusie Hoofdstuk 4 A. Medium en inhoud B. Thematiek C. Conclusie Besluit Bibliografie A. Gedrukte bronnen B. Online bronnen |
Bibliografie A. Gedrukte bronnen Gedrukt bronnenmateriaal Aktuelles Denken. Kunstforum International 108, 1990. Ars Electronica: Im Netz der Systeme. Berlin: Merve, 1990. Ascott, Roy. "Gesamtdatenwerk. Konnektivität, Transformation und Transzendenz." Kunstforum International 103, sept./okt. 1989: 100-109. Ballard, J.G. Crash. New York: Vintage, 1985. Barthes, Roland. "De l' oeuvre au texte." Revue d'esthétique nr. 3, 1971. Barthes, Roland. S/Z. Paris: Éditions du Seuil, 1970. Baudrillard, Jean. L'Autre par lui-même. Paris: Galilée, 1987. Baudrillard, Jean. La guerre du golfe n'a pas eu lieu. Paris: Galilée, 1991. Baudrillard, Jean. L'Échange symbolique et la mort. Paris: Gallimard, 1976. Baudrillard, Jean. Le miroir de la production. Tournail: Casterman, 1973. Baudrillard, Jean. Pour une critique de l'économie politique du signe. Paris: Gallimard, 1972. Baudrillard, Jean. Simulacres et simulation. Paris: Galilée, 1981. Benedikt, Michael (ed.). Cyberspace: First Steps. Cambridge (Mass.): MIT Press, 1991. Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction." in Illuminations. London: Fontana, 1992. Bolter, Jay David. Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum Associates, 1991. Bush, Vannevar. "As We May Think." In The Atlantic Monthly, juli 1945. Zie ook http://www.isg.sfu.ca/~duchier/misc/vbush/ (7 maart 1997). d'Amato, Brian. "Net Works." Artforum nr. 34, nov. '95: 18. Davis, Mike. City of Quartz: Excavating the Future in Los Angeles. New York: Vintage, 1992. Debord, Guy. La société du spectacle. Paris: Buchet-Chastel, 1967. Deleuze, Gilles en Guattari, Félix. L'Anti-Oedipe. Capitalisme et Schizophrénie. Paris: Éditions de Minuit, 1972. Deleuze, Gilles en Guattari, Felix. Mille Plateaux. Capitalisme et Schizophrénie II. Paris: Éditions de Minuit, 1980. Deleuze, Gilles en Guattari, Felix. Rhizome. Paris: Éditions de Minuit, 1976. Dery, Mark. Escape Velocity. Cyberculture at the end of the century. New York: Grove Press, 1996. Dery, Mark. "McLuhan. The Truth Shall Set You Free." in Andere Sinema 136, nov./dec. 1996: 5-11. Dinkla, Söke. "From Participation to Interaction. Towards the Origins of Interactive Art." In Hershman Leeson, Lynn (ed.). Clicking In. Hot links to a digital culture. Seattle: Bay Press, 1996: 279-290. Docherty, Thomas (ed.). Postmodernism. A Reader. New York: Columbia University Press, 1993. Druckrey, Timothy (ed.). Electronic Culture. Technology and visual representation. New York: Aperture, 1996. dX short guide / Kurzführer. Kassel: Cantz Verlag, 1997. Flusser, Vilém. Für eine Philosophie der Fotografie. Göttingen: European Photography, 1983. Flusser, Vilém. Ins Universum der technischen Bilder. Göttingen: European Photography, 1985. Foucault, Michel. Folie et déraison. Paris: Plon, 1961. Foucault, Michel. Les mots et les choses: une archéologie des sciences humaines. Paris: Gallimard, 1966. Foucault, Michel. Surveiller et punir: naissance de la prison. Paris: Gallimard, 1975. Foucault, Michel. "What is an author?" in Harari, Josué (ed.). Textual Strategies: Perspectives in Post-Structuralist Criticism. Ithaca, 1979: 141-60. Gibson, William. Neuromancer. London: Grafton, 1986 Giddens, Anthony. Modernity and Self-Identity: Self and Society in the Late Modern Age. Cambridge: Polity, 1991. Haraway, Donna. "Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s." Socialist Review 80, 1985. Haraway, Donna. Simians, Cyborgs and Women: the Reinvention of Nature. New York: Routledge, 1991. Harrison, Charles en Wood, Paul (ed.). Art in Theory 1900-1990. An Anthology of Changing Ideas. Oxford/Cambridge: Blackwell, 1992. Hershman Leeson, Lynn (ed.). Clicking In. Hot links to a digital culture. Seattle: Bay Press, 1996. Huhtamo, Erkki. "From Kaleidoscomaniac to Cybernerd: Notes Toward an Archeology of Media." in Druckrey, Timothy (ed.). Electronic Culture. Technology and visual representation. New York: Aperture, 1996: 297-303. Im Netz der Systeme. Für eine interaktive Kunst: Ars Electronica Linz. Kunstforum 103, sept./okt. 1989. Kittler, Friedrich. Aufschreibesysteme 1800/1900. München: Fink, 1987 Kittler, Friedrich. "Geschichte der Kommunikationsmedien." in On Line. Kunst im Netz. Graz: Steirische Kulturinitiative, 1993: 66-81. Lacan, Jacques. The four fundamental concepts of psycho-analysis. New York/London: W.W. Norton, 1978. Landow, George P. Hypertext: The Convergence of Contemporary Critical Theory and Technology. Baltimore: The Johns Hopkins University Press, 1992. Lippard, Lucy. Six Years: the Dematerialization of the Art Object. London/New York: Studio Vista, 1973. Lischka, Gerhard Johann. "Paul Virilio." in Kunstforum International 108, 1990: 89-93. Lischka, Gerhard Johann. "Vilém Flusser." in Kunstforum International 108, 1990: 94-101. Lyotard, Jean-François. La Condition postmoderne: rapport sur le savoir. Paris: Éditions de Minuit, 1979. Lyotard, Jean-François. L'Économie libidinale. Paris: Éditions de Minuit, 1974. Lyotard, Jean-François (ed.). Les immatériaux. Épreuves d'écriture. Paris: Centre Pompidou, 1985. Lyotard, Jean-François. "Réponse à la question: qu'est-ce que le postmoderne?" Critique 419, april 1982. Maes, Pattie. "Artificial Life Meets Entertainment: Lifelike Autonomous Agents." In Hershman Leeson, Lynn (ed.). Clicking In. Hot links to a digital culture. Seattle: Bay Press, 1996: 210-221. Maturana, Humberto en Varela, Francisco. Autopoiesis and cognition. The realization of the living. Dordrecht: Reidel, 1972. McLuhan, Marshall. The Gutenberg Galaxy: The Making of Typographic Man. London/Toronto: Routledge, 1962. McLuhan, Marshall; Fiore Quentin. The Medium is the Massage. New York: Bantam, 1967. McLuhan, Marshall. Understanding Media: The Extensions of Man. New York: McGraw-Hill, 1964. Mitchell, William J. City of Bits. Space, Place and the Infobahn. Cambridge (Mass.): MIT Press, 1995. MLA Handbook for Writers of Research Papers. New York: Modern Language Association, 1988 Mumford, Lewis. The myth of the machine: technics and human development. London: Secker & Warburg, 1967. Negroponte, Nicholas. Being Digital. New York: Alfred A. Knopf, 1995. "Net-Works. Leonardo's Digital Salon Show." Leonardo vol. 28 nr.5, 1995: 478-81. "Net-Works. Leonardo's Digital Salon Show." Leonardo vol. 29 nr.5, 1996: 459-70. On Line. Kunst im Netz. Graz: Steirische Kulturinitiative, 1993. Popper, Frank. Art of the electronic age. London: Thames & Hudson, 1993. Poster, Mark (ed.). Jean Baudrillard: Selected Writings. Cambridge: Polity Press, 1988. Rheingold, Howard. The Virtual Community: Homesteading on the Electronic Frontier. Reading (Mass.), Addison-Wesley, 1993. Rheingold, Howard. Virtual Reality. New York: Summit, 1991. Rosen, Miriam. "Web-specific works: the Internet as a space for public art." Art and Design vol. 11, jan./feb. '96: 86-96. Rötzer, Florian (ed.). Cyberspace: Zum medialen Gesamtkunstwerk. München: Klaus Boer Verlag, 1993. Rötzer, Florian (ed.). Digitaler Schein. Ästhetik der elektronischen Medien. Frankfurt am Main: Suhrkamp, 1991. Shannon, Claude Elwood. "Communication in the presence of noise." Proceeding of the institute of radio engineers 37, 1949: 10-21. Turkle, Sherry. Life on the Screen: Identity in the Age of the Internet. New York: Simon & Schuster, 1995. Turkle, Sherry. The second self: computers and the human spirit. New York: Simon & Schuster, 1984 Valcke, Johan. "Michaël Samyn." Openbaar Kunstbezit nr. 1, 1996, pp. 34-35. Velthoven, Willem en Seijdel, Jorinde. Multimedia Graphics. The international sourcebook of interactive screendesign. Amsterdam: BIS Publishers, 1996. Virilio, Paul. "Big Optics." In Weibel, Peter (ed.). On justifying the hypothetical nature of art and the non-identicality within the object world. Köln, 1992. Virilio, Paul. Esthétique de la disparition. Paris: Éditions Balland, 1980. Virilio, Paul. La vitesse de la libération. Paris: Galilée, 1995. "Virtuele Räume - Simultane Welten. Vilém Flusser im Gespräch mit Sabine Kraft und Philipp Oswalt." ARCH+ 111, maart 1992: 33-52. Website Graphics. The best of global site design. Amsterdam: BIS Publishers, 1997. Webster, Frank. Theories of the Information Society. London/New York: Routledge, 1995. |
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