spinster home spinster . writing . web-specific art. het world wide web als artistiek medium

Introductie


Inleiding


Hoofdstuk 1
Internet en het World Wide Web

A. Internet

  1. Geschiedenis
  2. Karakteristieken

B. World Wide Web

  1. Geschiedenis
  2. Karakteristieken
  3. Componenten van een webpagina
    a. HTML
    b. VRML
    c. CGI-scripts
    d. Java
    e. Plug-ins

Hoofdstuk 2
Theoretisch kader

A. Mediatheorie

  1. Marshall McLuhan
  2. Vilém Flusser
  3. Friedrich Kittler
  4. Mediatheorie: conclusie

B. Postmodernisme

Inleiding

  1. Het postmoderne denken
  2. Jean Baudrillard
  3. Paul Virilio

C. Digitale esthetica

Inleiding

  1. Immaterialiteit: simulatie
  2. Machine-esthetica: proces
  3. Netwerk-esthetica: interactie

Hoofdstuk 3
Webprojecten

A. Virtuele galerijen

  1. äda 'web
  2. Artnetweb
  3. Flyvision
  4. The Thing

B. "Real life" instituten

  1. Dia Center for the Arts
  2. Voyager Web Projects
  3. KHM (Kunsthochschule für Medien Wien)

C. Autonome initiatieven

Inleiding

  1. Michaël Samyn
  2. OTIS/SITO
  3. David Blair: Waxweb
  4. etoy.INTERNET-TANK-NETWORK
  5. Anti:Rom
  6. De Digitale Stad

D. Wedstrijden

  1. Prix Ars Electronica
  2. Digital Salon

E. Net.art

Inleiding

  1. Nettime
  2. Moscow WWWArt Centre
  3. jodi - <we serve no content>
  4. irational
  5. Olia Lialina

F. Conclusie

"Geografie" van instituten


Hoofdstuk 4
Medium, inhoud en thematiek

A. Medium en inhoud

  1. Traditie
  2. Interface, multimedia
  3. Het netwerk

B. Thematiek

Inleiding

  1. Interface en metafoor
  2. Politiek, activisme en het Net
  3. Communicatie en sociale structuren

C. Conclusie

Positionering van webkunst


Besluit

Een algemene conclusie...


Bibliografie

A. Gedrukte bronnen

Gedrukt bronnenmateriaal

B. Online bronnen

  1. Webprojecten
  2. Instituten
  3. Theorie

Bibliografie

A. Gedrukte bronnen

Gedrukt bronnenmateriaal

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Ars Electronica: Im Netz der Systeme. Berlin: Merve, 1990.

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Barthes, Roland. "De l' oeuvre au texte." Revue d'esthétique nr. 3, 1971.

Barthes, Roland. S/Z. Paris: Éditions du Seuil, 1970.

Baudrillard, Jean. L'Autre par lui-même. Paris: Galilée, 1987.

Baudrillard, Jean. La guerre du golfe n'a pas eu lieu. Paris: Galilée, 1991.

Baudrillard, Jean. L'Échange symbolique et la mort. Paris: Gallimard, 1976.

Baudrillard, Jean. Le miroir de la production. Tournail: Casterman, 1973.

Baudrillard, Jean. Pour une critique de l'économie politique du signe. Paris: Gallimard, 1972.

Baudrillard, Jean. Simulacres et simulation. Paris: Galilée, 1981.

Benedikt, Michael (ed.). Cyberspace: First Steps. Cambridge (Mass.): MIT Press, 1991.

Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction." in Illuminations. London: Fontana, 1992.

Bolter, Jay David. Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum Associates, 1991.

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d'Amato, Brian. "Net Works." Artforum nr. 34, nov. '95: 18.

Davis, Mike. City of Quartz: Excavating the Future in Los Angeles. New York: Vintage, 1992.

Debord, Guy. La société du spectacle. Paris: Buchet-Chastel, 1967.

Deleuze, Gilles en Guattari, Félix. L'Anti-Oedipe. Capitalisme et Schizophrénie. Paris: Éditions de Minuit, 1972.

Deleuze, Gilles en Guattari, Felix. Mille Plateaux. Capitalisme et Schizophrénie II. Paris: Éditions de Minuit, 1980.

Deleuze, Gilles en Guattari, Felix. Rhizome. Paris: Éditions de Minuit, 1976.

Dery, Mark. Escape Velocity. Cyberculture at the end of the century. New York: Grove Press, 1996.

Dery, Mark. "McLuhan. The Truth Shall Set You Free." in Andere Sinema 136, nov./dec. 1996: 5-11.

Dinkla, Söke. "From Participation to Interaction. Towards the Origins of Interactive Art." In Hershman Leeson, Lynn (ed.). Clicking In. Hot links to a digital culture. Seattle: Bay Press, 1996: 279-290.

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Druckrey, Timothy (ed.). Electronic Culture. Technology and visual representation. New York: Aperture, 1996.

dX short guide / Kurzführer. Kassel: Cantz Verlag, 1997.

Flusser, Vilém. Für eine Philosophie der Fotografie. Göttingen: European Photography, 1983.

Flusser, Vilém. Ins Universum der technischen Bilder. Göttingen: European Photography, 1985.

Foucault, Michel. Folie et déraison. Paris: Plon, 1961.

Foucault, Michel. Les mots et les choses: une archéologie des sciences humaines. Paris: Gallimard, 1966.

Foucault, Michel. Surveiller et punir: naissance de la prison. Paris: Gallimard, 1975.

Foucault, Michel. "What is an author?" in Harari, Josué (ed.). Textual Strategies: Perspectives in Post-Structuralist Criticism. Ithaca, 1979: 141-60.

Gibson, William. Neuromancer. London: Grafton, 1986

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Haraway, Donna. "Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s." Socialist Review 80, 1985.

Haraway, Donna. Simians, Cyborgs and Women: the Reinvention of Nature. New York: Routledge, 1991.

Harrison, Charles en Wood, Paul (ed.). Art in Theory 1900-1990. An Anthology of Changing Ideas. Oxford/Cambridge: Blackwell, 1992.

Hershman Leeson, Lynn (ed.). Clicking In. Hot links to a digital culture. Seattle: Bay Press, 1996.

Huhtamo, Erkki. "From Kaleidoscomaniac to Cybernerd: Notes Toward an Archeology of Media." in Druckrey, Timothy (ed.). Electronic Culture. Technology and visual representation. New York: Aperture, 1996: 297-303.

Im Netz der Systeme. Für eine interaktive Kunst: Ars Electronica Linz. Kunstforum 103, sept./okt. 1989.

Kittler, Friedrich. Aufschreibesysteme 1800/1900. München: Fink, 1987

Kittler, Friedrich. "Geschichte der Kommunikationsmedien." in On Line. Kunst im Netz. Graz: Steirische Kulturinitiative, 1993: 66-81.

Lacan, Jacques. The four fundamental concepts of psycho-analysis. New York/London: W.W. Norton, 1978.

Landow, George P. Hypertext: The Convergence of Contemporary Critical Theory and Technology. Baltimore: The Johns Hopkins University Press, 1992.

Lippard, Lucy. Six Years: the Dematerialization of the Art Object. London/New York: Studio Vista, 1973.

Lischka, Gerhard Johann. "Paul Virilio." in Kunstforum International 108, 1990: 89-93.

Lischka, Gerhard Johann. "Vilém Flusser." in Kunstforum International 108, 1990: 94-101.

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Lyotard, Jean-François. L'Économie libidinale. Paris: Éditions de Minuit, 1974.

Lyotard, Jean-François (ed.). Les immatériaux. Épreuves d'écriture. Paris: Centre Pompidou, 1985.

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Maes, Pattie. "Artificial Life Meets Entertainment: Lifelike Autonomous Agents." In Hershman Leeson, Lynn (ed.). Clicking In. Hot links to a digital culture. Seattle: Bay Press, 1996: 210-221.

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McLuhan, Marshall; Fiore Quentin. The Medium is the Massage. New York: Bantam, 1967.

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Mitchell, William J. City of Bits. Space, Place and the Infobahn. Cambridge (Mass.): MIT Press, 1995.

MLA Handbook for Writers of Research Papers. New York: Modern Language Association, 1988

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Negroponte, Nicholas. Being Digital. New York: Alfred A. Knopf, 1995.

"Net-Works. Leonardo's Digital Salon Show." Leonardo vol. 28 nr.5, 1995: 478-81.

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